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TROIS-STRIKES FURTHER DELAYED Technically speaking, the slightly controversial anti-piracy measures should have been formally introduced in France on Friday, and some media have reported that that indeed happened. But according to paidContent there has been another delay because the Commission Nationale de l'Informatique et des Libertés is yet to give the new laws the all clear. It's thought it could be April before anything now happens, with the distraction of regional elections in France further delaying the proper launch of the anti-piracy initiative. As previously reported, France's version of the three-strikes system has been a long time coming, despite President Nicholas Sarkozy being a staunch supporter of it. Opposition in the lower house of the French parliament tried to scupper the proposals, and even when parliament had passed the bill the French Constitutional Council ordered a rewrite because of concerns the system could lead to French citizens having their internet connections cut off without any judicial consideration. Although now approved by both parliament and the Constitutional Council, the Commission Nationale de l'Informatique et des Libertés, which is the French equivalent of the UK's Data Protection Agency (or UK Information Commissioner's Office to give it its proper name), still needs to give the proposals the all clear, and may, as yet, suggest some tweaks so to ensure French net users' privacy rights are not infringed. The warning letters that will kick off the three-strikes system won't start to be sent until that all clear is given. As also previously reported, the successful introduction of three-strikes in France - assuming it can be achieved - will help boost the case for similar systems for combating online piracy in other European countries, not least the UK. With the House Of Lords now considering the UK government's version of the anti-piracy initiative - which is slightly less severe than the French system, though would also result in persistent file-sharers having their net connections suspended - the British internet service provider lobby, most of whom oppose any system that would require them to disconnect paying customers, continues to brief against the proposals. While continuing to question whether the new laws would have any actual impact on the levels of illegal file-sharing, the anti-three-strikes lobby turned their attention to the cost of the anti-piracy system over the Christmas break, with a report claiming costs could run to £500 million a year. With the content industries keen for the net firms to share those costs, some ISPs claim that would require a £25 a year levy being added to every one of their customers. TalkTalk remains the most vocal opponent to three-strikes within the ISP sector. So much so they have launched a competition encouraging people to record a song opposing the proposed new laws. Songs must be submitted to the net firm's Don't Disconnect Us website by 22 Jan, with Stephen Fry set to judge the entries. I'm thinking of entering and then suing anyone who file-shares my song, pushing for the court to disconnect the file-sharers, obviously. -------------------------------------------------- BONO EXPECTS MOVIE INDUSTRY TO SAVE MUSIC INDUSTRY Writing in his New York Times column, Bono said: "The only thing protecting the movie and TV industries from the fate that has befallen music and indeed the newspaper business is the size of the files. The immutable laws of bandwidth tell us we're just a few years away from being able to download an entire season of '24' in 24 seconds. Many will expect to get it free". This fact, he reckons, could be what causes the tide to turn. He continues: "Perhaps movie moguls will succeed where musicians and their moguls have failed so far, and rally America to defend the most creative economy in the world, where music, film, TV and video games help to account for nearly four percent of gross domestic product". Of course, it's not like Bono is some sort of visionary on this subject. First the movie industry has already stepped up its anti-file-sharing efforts, and is widely expected to become increasingly proactive in this domain. And second, while the movie industry might have more money and better connections than the music business, some doubt they'll be able really stop clever kids from employing new technology to hide their file-sharing. Still, they might be able to rally more political support for three-strikes style systems that put more onus on the internet service providers in the anti-piracy battle. And it's the ISPs that Bono reckons are to blame for the file-sharing problem. In fact, he goes so far as to claim that the service providers' "swollen profits perfectly mirror the lost receipts of the music business". I'm not sure "perfectly" is quite the word, but I'd be quite happy to take a look over the stats Bono is using the back that up. He also adds that "we know from America's noble effort to stop child pornography, not to mention China's ignoble effort to suppress online dissent, that it's perfectly possible to track content". And there's that 'perfect' word again. As we say, there is much debate over how easy it is to actually track the sharing of illegal music content - given the development of new technology to hide the sharing - and tracking piracy certainly isn't the same as tracking down porn sites and blog posts. But whatever. Bono finishes up by referring to himself as an "over-rewarded rock star" in that way I'm sure he thinks makes him look selfless and humble, but just makes him sound smug. Oh, Bono. VEDDER SUED FOR USING WRONG WORDS Peterson claims that Vedder changed some of the song's key lyrics without his permission, thus "eroding the integrity of the composition". He also names Universal Music Publishing in the lawsuit, claiming the company licensed the song without his consent. He is seeking all profits from the recording. Speaking to the New York Post, Vedder's lawyer, Gregory Clarick stated: "We don't see any basis for a copyright infringement claim". -------------------------------------------------- GODSMACK FRONTMAN SETTLES OVER CAR ACCIDENT Lindsay Taylor was travelling in the back seat of a car which was hit by Erna's Hummer in April 2007. A lawsuit launched by Taylor and her parents claimed that the crash had been due to negligence on the part of the singer and had caused her to undergo "personality/behavioural changes" and resulted in nearly two months in hospital. Erna argued that the driver of the car that Taylor had been travelling had already hit another car in front before he crashed into it, as well as blaming the design of the road for the incident. However, lawyers on both sides have now agreed settlement terms, which are now waiting to be approved by the judge in the case. Under the agreement, Erna will pay $3.3 million plus monthly payments, starting at $4637 and increasing at set intervals, to Taylor, plus monthly payments of $710 per month to her mother Elaine, for at least 20 years. -------------------------------------------------- ORCHARD WINS IMEEM LITIGATION, BUT IS UNLIKELY TO SEE DAMAGES Imeem, of course, went under last month amid spiralling licensing debts and the mounting legal costs and risks associated with the Orchard litigation, which actually related to the alleged infringement of copyrights owned by TVT Recordings, the record label acquired by the digital distributor in 2008. With Imeem basically in liquidation no representative was sent to the court hearing relating to the Orchard legal claim, meaning the plaintiff won by default. Those aspects of the Imeem business not acquired by MySpace Music last month are now in the hands of the company's creditors. As previously reported, MySpace's purchase of various bits of Imeem's assets specifically avoided them taking on any of the collapsed company's liabilities, so it is unlikely The Orchard will ever see any of their damages. And even if some legal beagle reckoned the US courts might imply some liability on MySpace as a result of their Imeem deal, it is unlikely The Orchard would want to fight the social networking major, given their streaming music service is an important licensee of the digital catalogue it represents. -------------------------------------------------- NOKIA EXPANDS APPLE PATENT CLAIM Now Nokia have filed a complaint to the US International Trade Commission accusing Apple of infringing a whole host of its patents, and not just with the iPhone. Apple denies the accusations. Some question the timing of Nokia's patent protection onslaught, suggesting it is a sign Nokia bosses really fear that the growth of Apple's mobile handset business is going to have a serious impact on their market share in the next couple of years, in particular in the non-US mobile markets where they have traditionally dominated.
KANYE BACK IN THE STUDIO Writing on his blog, West said: "I'm so happy to be back in the studio making new music. I will bring you the best I have to offer with the same dedication that Kobe [Bryant] has on the [basketball] court". He continued: "It's funny how so many rappers get worse as their careers stretch out but true poets get better. We will follow in the footsteps of Maya Angelou, Gil Scott Herron and Nina Simone. Their work improved with time. They documented what was happening in culture. That is our responsibility as the modern day artists and poets, to accurately represent what is happening now, so when the powers that be try to rewrite history you can always look at our works and find truth and sincerity in a world of processed information". NEW JACKO LEAKS Have a listen here. In other Michael Jackson related news, the lawyer attempting to get his father Joe a $15,000 a month allowance from the singer's estate has had his law licence put on probation for two years in relation to a 2002 federal law suit which the courts deemed should never have been pursued. And Conrad Murray, the doctor accused of causing Jackson's death, has also been in court to make a payment in a separate child support case. Police have not yet decided whether or not to press charges against the doctor over Jackson's death. -------------------------------------------------- IAN DURY COMPILATION TO COINCIDE WITH BIOPIC If you need a little reminder of why Ian Dury was brilliant, Demon Digital will release a new compilation of songs by Ian Dury & The Blockheads, entitled 'Sex & Drugs & Rock & Roll: The Essential Collection', on Monday via download stores. It's what soundtracked Christmas Day in my house. -------------------------------------------------- VAMPIRE WEEKEND ALBUM ON MYSPACE www.myspace.com/vampireweekend
BRENDAN BENSON ANNOUNCES UK DATES Tour dates: 3 Mar: Glasgow, QMU SINGLE REVIEW: Eddi Reader - Dragonflies (Rough Trade) 'Dragonflies' is the staggeringly beautiful new single to be taken off of Eddi's critically acclaimed album 'Love Is The Way', and is a waltzy, soft and melodic tune, sprinkled with sunshine, and a wander away from her trademark Scottish folk-inspired fare. Soon to be appearing in the upcoming film 'Me And Orson Wells' (I will leave my obscene and inappropriate comments about one Mr. Efron out of this review, promise), Eddi continues to endear the world to her delicate and charming sound. Listen out for Eddi's great cover of Amy Winehouse's 'Love Is A Losing Game' on the back of this release. TW Digital release: 30 Nov Buy from iTunes
HMV'S RIVAL BIDDER FOR MAMA STEPS DOWN As previously reported, SMS made a bid for MAMA early last month, but management at the London-based company refused to back it, calling the offer "highly opportunistic". At more or less the same time rumours started to circulate that HMV, who co-own the Mean Fiddler venue network with MAMA, would make a rival bid, with insiders saying that if a takeover was now inevitable MAMA directors would prefer their Mean Fiddler business partners to be their new owners. Then, just before Christmas, HMV confirmed it would make an offer to MAMA's shareholders. And MAMA's board quickly gave the retailer's grand plan its backing, with directors pledging to sell their shares to the diversifying retail firm. SMS's offer, however, remained on the table for shareholders, and indeed the investment outlet increased the price it said it would be willing to pay. They already own 29.8% of MAMA, while HMV have just under 10% with MAMA directors holding just under 9%. But having failed to win board support for their offer, and with few of the company's other shareholders seemingly keen on the SMS bid, the investment company has confirmed that their offer has now lapsed. Which clears the way for HMV to proceed with their board-backed acquisition. How eager SMS will be to sell their third of MAMA now remains to be seen.
VEVO REMOVE CONTENT FROM YOUTUBE API AFTER MUZIIC INCIDENT Vevo, which launched last month in the US of course, is Universal and Sony's attempt to enter the video-on-demand market, convinced as they are that they can command higher ad revenues for their official music content than currently secured by services like YouTube, where official label content sits alongside videos ripped off MTV and user generated nonsense. Because it uses YouTube technology Vevo content is also available via the Google-owned video site in the US, but where it appears it does so with Vevo-sold advertising in tow. But sixteen year old David Nelson from Iowa found a way of making Vevo content available via his own website Muziic without the Universal platform's commercial messages, utilising the YouTube API. He also announced his Vevo-powered service would be available globally, and not just in the US and Canada where Vevo is currently operational. Needless to say, Vevo bosses weren't too impressed by this news, and they confirmed yesterday that their videos would no longer appear in the YouTube API so that Muziic could no longer tap into their content. Possibly wary of the litigation that could be coming his way, Nelson opted to stop borrowing Vevo branded content for his service, utilising, instead, other music videos in the YouTube catalogues. Wishing to distance itself from the hoo haa, YouTube stressed it was just a technical enabler in all this, and that it was for users of its technology - ie content owners - to decide where and how their videos appeared. The company said in a statement: "Content owners on YouTube can choose where they want their videos to appear, including on mobile devices, IPTVs or even on YouTube.com itself. Our goal has always been to provide content owners with the tools they need to make informed decisions about where and how their videos are viewed". Elsewhere in Vevo news, they have appointed a new Marketing & Publicity Director, in the form of Jennifer Press, who joins the company from Sony-backed digital music company Dada Entertainment. She will report to Vevo GM Fred Santarpia. -------------------------------------------------- GOOGLE MUSIC SEARCH FAVOURS LALA As previously reported, Google stepped up its music search functionality last year enabling US users to more easily find legit audio content via its search engine, and to then stream music files there and then through a special widget enabled by either iLike or Lala, who then cover any licensing costs associated with the stream in return for the extra exposure. Although users can choose whether they get an iLike or Lala stream, Google randomly selects one or the other as the default provider when the user makes their search selection. It was thought that while Google would default to either iLike or Lala by random, that the two rivals would each provide about half of the overall music previews accessed by Google users. But it seems that you are much more likely to get an iLike stream by default than a Lala one. DMN say that when they tested Google's music search service on twenty tracks, iLike was selected as default stream provider on 19 occasions. TechCrunch report that when they searched for thirty tracks, 28 came up as iLike streams by default. Conspiracy theorists suggest that Google are swaying the service in iLike's direction because they aren't too happy about Apple buying Lala shortly after the launch of their enhanced music search service. Though Google and Apple have generally been friendly rivals in recent years, so that isn't necessarily so. It is possible that DMN and TechCrunch's findings are a coincidence, or, perhaps more likely, that Google skews towards whichever streaming service has more capacity, and that is usually iLike. -------------------------------------------------- QTRAX POSTPONE BIG ANNOUNCEMENT Qtrax is, of course, well known for cocked up press announcements, having originally launched with a big bash at music convention Midem in 2008 claiming to have all four major record companies on board, only to have to later admit no major label deals were actually in place. Bloggers and journalists like me like bringing the bungled launch up whenever we write about the company, though possibly only because the various DRM-heavy services offered by Qtrax since that announcement have been pretty lacklustre. Possibly feeling sensitive towards any blog-based mocking of its latest postponed big announcement, Qtrax said on its own website: "Yes, it is true that we intended having a press conference today. And it's also true, that in the last week our CEO became ill with a generally non-life-threatening but quite painful ailment - kidney stones. And it is also true he was admitted to hospital and thankfully is leaving today. So we've decided to cancel the conference". The big announcement is now expected to be made later this month. Woo. MAGIC HIRE RONAN KEATING Confirming his new job, Keating told reporters: "Magic 105.4 has always been a big supporter of my music and we have built a great working relationship over the years". Insiders suggest Magic's new appointment could result in the new category of Most Tedious Person In Radio being added to next year's Sony Awards. TOTAL ROCK WORLD ALBUM CHART 1. Bon Jovi - The Circle (Universal/Mercury) ANDREW WK DENIES CONSPIRACY THEORIES He wrote: "Since 2001, I have been accused of being part of a conspiracy in which I knowingly entered into a contract with creative directors called Steev Mike, who proceeded to invent a new identity for me to perform under. I'm here to say this is simply not true and a gross exaggeration of easily explainable and common-place music industry practices. ... The kind of people who accuse me of being a talking head for some secret conspiracy to corrupt people's morals are the same people who claim MTV and Cartoon Network are owned by secret rulers of the world out to poison kid's brains ... I am not evil and neither are any of my other fellow members of show business". Still confused? Andrew hopes to iron everything out at "an evening of totally open inquiry" in New York on 23 Feb. Details here: santospartyhouse.com/index/event/id/1249 |
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